Valerie Red-Horse
2018
57
New Haven, Connecticut
March 31, 2015 - 6:00pm

Sliver of a Full Moon is a portrayal of resistance and celebration.

Tina Garnanez, a young Navajo woman, begins a personal investigation into the history of the Navajo Uranium Boom, examining its lasting impacts and the potential for new mining in the area. Looking at the cost of cheap energy and the future of the industry, Tina becomes an advocate, lobbyist, and a vocal proponent for environmental justice.

Indigenous communities around the world and in the U.S. resist threats to their sacred places—the original protected lands—in a growing movement to defend human rights and restore the environment.

In this four-part documentary series, Native people share ecological wisdom and spiritual reverence while battling a utilitarian view of land in the form of government megaprojects, consumer culture, and resource extraction as well as competing religions and climate change.

The following are video chapters created to match with lesson plans outlined in the educational guide for LaDonna Harris: Indian 101.

Click the titles to see the corresponding video.

A Comanche from Oklahoma, LaDonna helped convince the Nixon administration to return sacred ground to the Taos Pueblo Indians of New Mexico, in 1970 founded the Americans for Indian opportunity and became a vice-presidential nominee in 1980.

Please note: The time codes referenced in the educational guide correspond to the broadcast and PBS Online Video versions of this documentary.

Recently, Vision Maker Media executive director Shirley Sneve (Lakota) caught up with Sydney Freeland (Navajo) after a screening of her movie Drunktown's Finest at imagineNATIVE. The two talked about the representation of Native Americans in film, the struggles and rewards of being a filmmaker, and how Sydney got to where she is now.

Keeler was raised in California and moved to Omaha, Neb., to obtain her Bachelor of Arts degree in Journalism from Creighton University where she served as a student-body advisor working with the University's board of directors. She continued to hone her journalistic skills through various training opportunities while attending graduate school at the University of Nebraska-Lincoln (UNL), earning her Master of Arts degree in Journalism in May 2014.

Horses brought me to this story. I began riding as a little girl, and reluctantly continued as a teenager. My reluctance stemmed from being a part of a blue collar family that did not don expensive outfits or belong to exclusive social circles as my counterparts did.

Later, I took riding lessons to fulfill a college physical education requirement. I found myself riding for hours after class was over on the unfinished still-dirt Ohio interstate. Being on horseback gave sweet relief from the rigors of a double major in political science and philosophy.

A celebration of Native American Plateau art and culture, the film emphasizes the origin and remarkable survival of the art form and culture as experienced by Native Plateau bead artists.

Injunuity is a collage of reflections on the Native American world, our shared past, our turbulent present, and our undiscovered future. From Columbus to the western expansion to tribal casinos, we are taught that the Native way, while at times glorious, is something of the past, something that needed to be replaced by a manifest destiny from across the ocean. But in a world increasingly short of real answers, it is time we looked to Native wisdom for guidance. It is time for some Injunuity.

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